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In 1928 David Talbot Rice, gentleman and scholar, and his new bride Tamara set off from Oxford to excavate the Great Palace of Byzantium. Tamara, an author of books on Seljuks and Scythians, talked to Anthony Bryer for this profile of the couple and their life together
The Kibrisli Yali is one of the largest old summerhouses to survive on the Bosphorus. Its rambling architecture mirrors the fluctuating fortumes of the statesman who gave the house its name, and his colourful heirs. By Patricia Daunt with photographs by Jerome Darblay and Simon Upton.
Its Temple of Artemis, magnificent Theatre and Library of Celsus made Roman Ephesus a wonder of the ancient world. But the real marvels of the city are the private properties of its wealthy citizens. Thomas Roueché steps inside a block of astonishing apartments. Photographs by Jean Marie del Moral
An antiquarian’s deliciously distressed house in the Aegean was Berrin Torolsan’s first inspiration for the text of a new book on Turkish interiors. In this extract from At Home in Turkey, with photographs by Solvi dos Santos, she is captivated by a low-key restoration.
Philip Mansel on the Topkapı’s show ‘Selim III: Reformist, Poet, Musician’
By 1856 photography was no longer new, but recent developments had made it vastly cheaper, faster and more reliable. In 1850 Frederick Scott Archer had developed the wet collodion process, in which a glass plate is coated with a light-sensitive chemical solution, exposed while still moist, then developed in a darkroom. Inexpensive prints could then be made from the glass negative, and the quality of the images was high. Cameras could now be used in the field.
Bodrum’s peace was shattered in 1856 by the arrival of a warship bearing one of the most ambitious archaeological expeditions Britain has ever launched. Leading it was Charles Newton. His mission was to locate, excavate and carry home one of the Seven Wonders of the Ancient World
Robert Ousterhout, who fell in love with the Kariye Camii, the Church of the Chora, 25 years ago. Here he makes an impassioned case for preserving this 14th-century masterpiece.
Unlocking the door to the private world of Feyhaman and Güzin Duran, by Maureen Freely
John Frederick Lewis (1804–76), was the supreme orientalist, fêted for his sumptuous Ottoman scenes. The secret of his success, says Briony Llewellyn, lies in the vivid sketches he made during his time in the East
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