Buy or gift a stand-alone digital subscription and get unlimited access to dozens of back issues for just £18.99 / $18.99 a year.
Please register at www.exacteditions.com/digital/cornucopia with your subscriber account number or contact subscriptions@cornucopia.net
Buy a digital subscription Go to the Digital EditionVol I: British, Maltese and Levantine Artists in the Ömer Koç Collection.
Vol II: European Artists in the Ömer Koç Collection.
For more than 30 years, Ömer Koç has quietly been amassing a collection of paintings of the Ottoman Empire worthy of a museum in their own right. The two volumes of Painters of the Ottoman World bring together no fewer than 650 such works, attributed to 160 artists from almost 20 nations. They are an all-engrossing resource for art historians but also for historians of diplomacy, politics, taste, commerce, culture, architecture and fashion.
Volume I, British, Maltese and Levantine Artists in the Ömer Koç Collection, which includes many recent discoveries, is published in fond remembrance of the late Briony Llewellyn, who gave so much to the history of art and, as one of the dwindling number of independent scholars, made so many discoveries among the painters of the Ottoman East. Llewellyn spent many years preparing this book; her absence in the final stages has been much felt.
Volume II, European Artists in the Ömer Koç Collection, goes back as far as the 16th century. However, the majority of the 118 artists introduced by Claude Piening explored the Ottoman world between 1798 – the year that Napoleon assembled 2,000 scientists, painters, architects and writers for his expedition to Egypt – and 1909, when the last autocratic Ottoman ruler, Sultan Abdülhamid, was forced into exile by the Young Turks and his great Italian court painter, Fausto Zonaro, returned to Italy.
The two volumes resemble each other in format, but Briony groups artists broadly by generation and approach, while Claude’s survey is arranged alphabetically, allowing the lottery of chance to throw up a kaleidoscope in which landscapes, seascapes, costume, architecture and glimpses of Ottoman life can talk to each across the centuries.
Geographically, the canvas stretches from Crimea to Morocco. While Egypt and the Classical world provide frequent subject matter, we linger longest on the shores of the Bosphorus. Ultimately, this collection could only have been formed in Constantinople, the Sublime Porte, Istanbul – call it what you will.
1. STANDARD
Standard, untracked shipping is available worldwide. However, for high-value or heavy shipments outside the UK and Turkey, we strongly recommend option 2 or 3.
2. TRACKED SHIPPING
You can choose this option when ordering online.
3. EXPRESS SHIPPING
Contact subscriptions@cornucopia.net for a quote.
You can also order directly through subscriptions@cornucopia.net if you are worried about shipping times. We can issue a secure online invoice payable by debit or credit card for your order.
Cornucopia works in partnership with the digital publishing platform Exact Editions to offer individual and institutional subscribers unlimited access to a searchable archive of fascinating back issues and every newly published issue. The digital edition of Cornucopia is available cross-platform on web, iOS and Android and offers a comprehensive search function, allowing the title’s cultural content to be delved into at the touch of a button.
Digital Subscription: £18.99 / $18.99 (1 year)
Subscribe now